Percy teamed up with another female impersonator who went by Lou Lalonda. Percy and Lou were billed at Bellingham’s Grand Theater on Holly Street in September of 1905. At the time of their performance in Bellingham, papers described them as “two pretty young ladies who easily win applause.”

In 1913 the Bellingham Herald announced: “Theater-goers have a treat in store next week when Julian Eltinge is scheduled to play at the Metropolitan Theater in his musical success, ‘The Fascinating Widow.’” Often compared today to RuPaul of “Drag Race” fame, Julian Eltinge was the most famous female impersonator to grace Bellingham’s stages in the early 1900s. 

Last fall when I started thinking of ideas for columns for the Betty Pages, I was excited to write interesting stories about early drag performers here in our corner of the world. However writing about these stories has taken on a weightier context as a wave of anti-drag hysteria has escalated across the country, and bills designed to restrict and prohibit drag performances work their way through state legislatures.

In June of 1905 Beck’s Theatre in Bellingham advertised a magnificent vaudeville bill for the summer that included “The Great Richards and his $5000 diamond dress.”

I had previously run across Vardaman in the Bellingham Herald on a vaudeville bill from the summer of 1904, advertising “the Auburn-Haired Beauty.” Further described in the paper as “the celebrated Vardman (sic) the female impersonator… can hardly be told from a female, so clever is he.”

The marker was a small reminder that issues of gender identity are not new and that drag shows existed here in Bellingham at the turn of the previous century. The marker has been lost, and the historical record of Joseph Noel’s life is sparse. We can keep telling what we know of his story: Mr. Noel wore a dress and welcomed the guests.