I discovered Herr Dames by complete accident in April of 2011 while researching the microfilmed archives of the old Bellingham Herald. What had started out as a quest to develop a walking tour about the turn of the century red light district that had operated legally in my weird little northwest town, evolved into a general fascination with all minutiae of odd and obscure figures and facts about the place I had come to call home.

A message in a bottle was found on a beach in B.C., originally dropped in the ocean by a guy named Earl Willard en route from “Frisco” to Bellingham in 1906. The find made news partly because it may be the oldest surviving message in a bottle to date.  We also found it exciting that the message inside listed a visible Bellingham address! 

After my standard explanation of GTG and a half second of fear that the archivist was going to be offended by the very nature of my research-- this is uber polite Canada afterall-- she suggested I take a look at a book called “The Rogues Gallery.”

Pickford's stage debut coincides with a cultural shift in post-Victorian America. The idea of female purity in the Victorian Era (1830s-1900s) was inextricably connected with domesticity and the home; women who lived a public or nomadic life were by their very nature suspect. But after Queen Victoria's death in 1901 a gradual relaxation of rules about where women should be seen and heard took place.